Selfishness and Self-Knowledge in C.S. Lewis’s ‘Till We Have Faces’

C.S. Lewis’s novel tells a tale of selfless and selfish love, based on a retelling of the myth of Cupid and Psyche.
Selfishness and Self-Knowledge in C.S. Lewis’s ‘Till We Have Faces’
"A Royal Meeting," 1838, by Louise-Adélaïde Desnos. Though it depicts a former royal mistress begging forgiveness from her queen, this painting shares themes with Orual and Psyche's relationship. When Psyche has the opportunity to reject a contrite Orual, she forgives her instead.Public Domain
Walker Larson
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Cut into the temple of Apollo at Delphi are the words, “Know thyself.” It’s a simple command to understand, but not a simple one to fulfill. Much of the literature in the West deals with this problem: How can we know ourselves, our real motives, our strengths, our weaknesses, our relationship to others? What are the consequences if we don’t?

The temple of Apollo at Delphi is similarly situated to the fictional Glome, where "Till We Have Faces" takes place. (<a href="https://commons.wikimedia.org/wiki/User:Berthold_Werner">Berthold Werner</a>/<a href="https://creativecommons.org/licenses/by-sa/3.0/deed.en">CC BY-SA 3.0</a>)
The temple of Apollo at Delphi is similarly situated to the fictional Glome, where "Till We Have Faces" takes place. Berthold Werner/CC BY-SA 3.0
Walker Larson
Walker Larson
Author
Prior to becoming a freelance journalist and culture writer, Walker Larson taught literature and history at a private academy in Wisconsin, where he resides with his wife and daughter. He holds a master's in English literature and language, and his writing has appeared in The Hemingway Review, Intellectual Takeout, and his Substack, The Hazelnut. He is also the author of two novels, "Hologram" and "Song of Spheres."