One Is Blind and the Other Sees Too Much

The Metropolitan Opera has a new production, pairing Tchaikovsky’s “Iolanta” with Bartok’s “Bluebeard’s Castle.”
One Is Blind and the Other Sees Too Much
Anna Netrebko in the title role of Tchaikovsky’s “Iolanta.” This moving fairy tale might be better supported with a less gloomy set design. Marty Sohl/Metropolitan Opera
Barry Bassis
Updated:

NEW YORK—The Metropolitan Opera has a new production, pairing Tchaikovsky’s “Iolanta” with Bartok’s “Bluebeard’s Castle.” A co-production with the Polish National Opera, directed by Mariusz Trelinski, the two pieces are linked visually and benefit from starring two of the most dynamic singers on the international scene, Anna Netrebko in the Tchaikovsky opera and Nadja Michael in the Bartok, as well as Valery Gergiev leading the Met’s superb orchestra.

“Iolanta” was first presented in St. Petersburg in 1892 as the opening piece on a double bill with “The Nutcracker.” The ballet has become a seasonal favorite but the opera is not well known outside of Russia. The new production marks its debut at the Met. This oversight is surprising since the opera is melodic and moving, especially with this cast.

Barry Bassis
Barry Bassis
Author
Barry has been a music, theater, and travel writer for over a decade for various publications, including Epoch Times. He is a voting member of the Drama Desk and the Outer Critics Circle, two organizations of theater critics that give awards at the end of each season. He has also been a member of NATJA (North American Travel Journalists Association)
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