Newcomb Pottery: New Orleans Arts and Crafts Movement

Southern women contributed to Newcomb’s 20th-century success through their virtuosity, complex creative design, and technical mastery of pottery.
Newcomb Pottery: New Orleans Arts and Crafts Movement
Tea set with crown of thorns design including sugar bowl, teacup and saucer, teapot, and creamer, 1914, painted by Elizabeth Antoinette Horner and thrown by Joseph Fortune Meyer. Courtesy of Newcomb Art Museum
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Newcomb Pottery was a singular artistic enterprise established in New Orleans just before the turn of the 20th century. One of its founding members, the ceramicist and educator Mary G. Sheerer (1865–1954), stated famously that “the whole thing was to be a southern product, made of southern clays, by southern artists, decorated with southern subjects!” Indeed, the clay came from the state’s bayous. The designs featured romanticized Southern motifs drawn from nature.
Male employees of Newcomb Pottery threw the vessels, as it was then considered unladylike for a woman to sit at a potter’s wheel. However, women artists chose the object’s shape, designed its motifs, and applied the decoration and glazes. The resulting work was critically acclaimed both domestically and internationally, making Newcomb Pottery one of the country’s most significant art potteries of its day.

Shaping Character

Michelle Plastrik
Michelle Plastrik
Author
Michelle Plastrik is an art adviser living in New York City. She writes on a range of topics, including art history, the art market, museums, art fairs, and special exhibitions.