Many grew up hearing it on a weekly basis as the theme song to “The Lone Ranger,” a popular Western TV show airing from 1949 to 1957. The fast-paced number played over an opening scene of the masked vigilante riding his galloping horse, Silver.
Campbell’s performance of the classic piece moved listeners so much that he added it to future shows.
Audiences would watch in amazement as he launched into the challenging number, playing with striking precision and speed. His oversized 12-string guitar was a perfect match for the piece’s rollicking melody, supported by a strings section featuring violins and his backing band.

Campbell’s performances of the “William Tell Overture” are still talked about today, not only because he played a guitar on top of his head but also because of the instrument itself. People have long been entranced by the six-string’s bigger, bolder brother. But its large size and extra strings can make it hard to play, rendering it a novelty instrument in a historic sense.
‘Shimmering Sound’
Campbell loved the rich, booming sound of a 12-string. He played it so often that it became his signature instrument, starting out with acoustic models and then switching to electric ones later—he especially loved the Ovation 12-string guitars. He was in good company with solo performers who were the instrument’s earliest adopters. They loved it for the same reason Campbell did—for its commanding projection.
Early versions of the 12-string guitar debuted in the late 1800s. Even though it was seen as a novelty at first, singer-songwriters who needed help boosting their overall sound thought it was particularly useful.
The instrument’s bigger body certainly helped with sound projection, but solo performers were especially impressed with its stage presence, produced by six sets of strings.
The two highest-pitched string sets, the high E and B strings, are tuned in unison, making it sound like there are two guitars playing at once. But the four lower-pitched sets of strings, G, D, A, and low E, have a particularly distinct sound.

This “shimmering sound” is so full, listeners sometimes mistake it for a piano in recordings.
The shape of the neck also helps amplify its unique sound.
More Muse Than Instrument
In 1974, singer-songwriter Gordon Lightfoot released his bestselling record “Sundown.” The album cover features Lightfoot sitting cross-legged, casually looking at the camera. Propped behind him is a Gibson B-45-12, his favorite acoustic 12-string guitar.
It can be heard on tracks throughout his catalog, including classic hits like “Sundown” and “The Wreck of the Edmund Fitzgerald.” For the singer, the 12-string was more muse than instrument.
Affordability and Homespun Sound
Another popular songwriter in the 1970s, John Denver, recorded his famous hit, “Take Me Home, Country Roads,” with his 12-string guitar. When the song celebrating the natural beauty of West Virginia debuted on his 1971 “Poems, Prayers & Promises” record, a picture of him playing his Guild F-212XL 12-string was used as the album cover.
The imposing guitar was an appropriate choice in keeping with the song’s Appalachian theme. Not long after it became an instrument of choice for solo performers in the early 1900s, Appalachian folk and Southern blues players also embraced it because of its affordability and homespun sound.
The 12-string guitar has come a long way since its early days as a busker’s best friend on noisy street corners. Since its inception in the late 1800s, it’s been a part of some of the 20th century’s most memorable hits.
But Campbell’s acrobatic performance, playing Rossini’s “William Tell Overture” overtop his head with his 12-string at blazing speed, remains the most memorable moment of all.






