Located near the Greek town of Distomo, in Boeotia, the Hosios Loukas monastery is surrounded by natural beauty and follows the model of ancient temples. The complex comprises several blocks of cells, a bell tower, a refectory, and two adjoining churches at the center. The walls use the cloisonné masonry technique and are decorated with red brick ornaments. Arched windows, projecting apses, and varying roof lines enhance the designs of the textured walls. (yiannisscheidt/Shutterstock)
The monastery of Hosios Loukas is located on the western slopes of Mount Helicon near the ancient acropolis of Steiris in central Greece. A treasure of 11th-century Byzantine architecture, the historic complex is considered to be the most striking example of the second golden age of Byzantine art in Greece, also known as the Middle Byzantine style.
Founded in the early 10th century by St. Luke, a local hermit famous for predicting Emperor Romanos’s conquest of Crete, the walled monastery comprises several buildings. Two orthodox churches stand side-by-side with a crypt nearby that houses the saint’s relics.
The church of the Virgin Mary (who is also known as the Theotokos in Eastern Christianity) is the oldest church of the complex and features a grandiose exterior and a cross-in-square plan. Erected during St. Luke’s lifetime, the church has cloisonné masonry-style walls, a decorative technique characterized by light blocks of stone surrounded by dark-red bricks and forming decorative motifs. Considered a masterpiece of Byzantine architecture, churches of southern Greece copied the exterior.
A highlight of the Hosios Loukas Monastery is the interior of the Katholikon church, shaped as a Greek cross like the Church of the Virgin Mary. The church hosts carved murals and mosaics on a gold background, typical of the Middle Byzantine style, and multicolored marble slabs, silk curtains, altar cloths, and grandiose chandeliers. The church’s breathtaking iconography represents the abundance and variety of the expressive Byzantine style.
A striking mosaic of St. Luke of Steiris, known as “Hosios Loukas,” on a semicircular recess of the west brick wall of the Katholikon, located near the saint’s tomb. The gilded mosaic represents the founder of the monastery and is representative of Middle Byzantine iconography. (ssoytnik/Shutterstock)
The sumptuous interior of the Katholikon, the main church of the monastic complex. Built in the 11th century, the church features a large octagon-domed plan, meaning its dome is supported from eight points. Multicolored marble slabs ornament the walls of the lower sections, while beautiful mosaics decorate the upper segments. The gilded mosaics are the most famous part of the Hosios Loukas complex for their glittering beauty and their distinct Middle Byzantine style, and they represent diverse religious iconography. (Joaquin Ossorio Castillo/Shutterstock)
As visitors enter the Katholikon, they pass a large, gilded mosaic of Christ, referred to as “Pantocrator” by the Byzantines, meaning “all-powerful ruler” or “ruler of all.” The mosaic is in gold tesserae and depicts Christ draped in a blue cloth and holding an open book, proclaiming him to be the “light of the world” (John 8:12). Gold tesserae was often used in Middle Byzantine churches and consists of applying very fine gold leaf between two pieces of clear or lightly tinted glass. (Joaquin Ossorio Castillo/Shutterstock)
The golden mosaics are another highlight of the Katholikon, and this room, in particular, shows the abundance and wealth of the Byzantine style. Framed by elegant marble slabs and a gilded arch, these particular mosaics represent Christ washing the feet of his disciples and are located at the narthex, the vestibule at the western end of the church. The gilded mosaic also features geometric and floral motifs, which are key elements of the Middle Byzantine style. (Karl Allen Lugmayer/Shutterstock)
The central dome of the Katholikon is the most striking part of the Hosios Loukas, located in the naos, the main and largest part of a Byzantine church. It features a large fresco of Christ surrounded by angels and monastic saints and is thought to be a replica of the original dome mosaics, which have been lost. The round dome is supported by four squinches, triangular corners holding the base of a dome. Each squinch displays decorative mosaics depicting the life of Christ: the Annunciation, the Nativity, the Presentation, and the Baptism. (Kraft_Stoft/Shutterstock)
As visitors proceed through the naos of the main church, they encounter another dome behind the altar depicting the Virgin and Child, topped by an image of the descent of the Holy Spirit on the apostles at Pentecost. This smaller dome is framed by simple yet elegant stone walls lined with minimalistic plant friezes. These accentuate the splendor of the gilded dome ceiling adorned with pseudo-Kufie writing, geometric motifs, and religious iconography. (Joaquin Ossorio Castillo/Shutterstock)
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