Fra Filippo Lippi’s “Portrait of a Woman With a Man at a Casement” is a landmark of Italian Renaissance painting and European art as a whole. It represents a series of firsts in Italian portraiture: It is the first Italian double portrait, is the first to portray a sitter in a domestic interior, and is the first in the genre to show a landscape in the background.
This artwork, thought to commemorate a marriage, can be interpreted as a metaphor for romantic love and the origin of portraiture itself.