‘Madama Butterfly’: An Unconventional Take on the Original

‘Madama Butterfly’: An Unconventional Take on the Original
The naive and innocent Cio-Cio-San (Karah Son) falls for Lt. Pinkerton (Evan LeRoy Johnson), in "Madama Butterfly." Todd Rosenberg
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CHICAGO—With the kind of delicious, romantic music that you can feel down your spine, “Madama Butterfly” is such a stunning opera that even with a director’s added twist, it can’t be dampened. The glory of Giacomo Puccini’s masterpiece rings eternal. That’s the case with the reimagined “Butterfly” presentation at Chicago’s Lyric Opera of Chicago.

With an Italian libretto by Luigi Illica and Giuseepe Giacosa, the dramatic plot of “Butterfly,” which premiered in Milan’s La Scala opera house in 1904, remains the same. Adapted by David Belasco into a play (1900) from a short story by John Luther Long (1898), the opera is about a young Japanese geisha, Cio Cio San, who falls in love with American naval officer Lt. Pinkerton.

Betty Mohr
Betty Mohr
Author
As an arts writer and movie/theater/opera critic, Betty Mohr has been published in the Chicago Sun-Times, The Chicago Tribune, The Australian, The Dramatist, the SouthtownStar, the Post Tribune, The Herald News, The Globe and Mail in Toronto, and other publications.