Inside the Family Frame: Lavinia Fontana and the Art of Motherhood

Fontana’s career spanned luminous religious altarpieces, richly imagined mythological scenes, and acute portraiture.
Inside the Family Frame: Lavinia Fontana and the Art of Motherhood
A detail of "Portrait of Bianca degli Utili Maselli and Her Children," circa 1604–1605, by Lavinia Fontana. Fine Arts Museums of San Francisco. Courtesy of the Fine Arts Museums of San Francisco
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Lavinia Fontana was a mother of 11 children and one of the most celebrated painters of the 16th century. She did not see these as contradictions. She created portraits and altarpieces that reflected the two sides of her life: care and responsibility at home and ambition in her professional world. Rather than separating these worlds, she brought them into conversation through art, portraying women, children, and domestic relationships with depth and dignity.

This balance is especially evident in her family portrait “Portrait of Bianca degli Utili Maselli and Her Children.”

A Career Painter

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Sarah Isak-Goode
Sarah Isak-Goode
Author
Sarah Isak-Goode is a writer and art historian rooted in the Pacific Northwest. Her name—pronounced EYE-zik-good and meaning "good laugh"—hints at the warmth she brings to everything she does. Equal parts scholar and storyteller, Sarah brings the past to life through a distinctly human lens, exploring what connects us across the centuries. Away from her desk, she feeds her curiosity through traveling, painting, reading, and hiking with her dog, Thor.