In Awe of Raphael’s Drawings

In Awe of Raphael’s Drawings
“Study for the Charge to Peter,” circa 1515–16, by Raphael. Offset from a drawing in red chalk over stylus indentation; 10 1/8 inches by 14 3/4 inches. Lent by Her Majesty The Queen, Royal Collection Trust. Her Majesty Queen Elizabeth II 2022
Lorraine Ferrier
Updated:
LONDON—Anyone who has played charades knows how hard it is to convey an idea without words. An artist’s challenge is to convey a moving narrative without words on a two-dimensional surface. Masters such as Italian Renaissance artist Raphael appeared to achieve this effortlessly. The foundation of these artists’ skills lies hidden behind the scenes in the mountain of drawings they made. These drawings are the DNA of great works, the building blocks of artistic mastery.
"Study for the Head of St. James," circa 1502–3, by Raphael. Black chalk, with traces of pounced underdrawing; 10 3/4 inches by 8 1/2 inches. The British Museum, London. (The Trustees of The British Museum)
"Study for the Head of St. James," circa 1502–3, by Raphael. Black chalk, with traces of pounced underdrawing; 10 3/4 inches by 8 1/2 inches. The British Museum, London. The Trustees of The British Museum
Lorraine Ferrier
Lorraine Ferrier
Author
Lorraine Ferrier writes about fine arts and craftsmanship for The Epoch Times. She focuses on artists and artisans, primarily in North America and Europe, who imbue their works with beauty and traditional values. She's especially interested in giving a voice to the rare and lesser-known arts and crafts, in the hope that we can preserve our traditional art heritage. She lives and writes in a London suburb, in England.
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