Murder mysteries such as “The Name of the Rose,” “Murder on the Orient Express,” or “Death on the Nile” are usually situated in well-defined, cordoned-off communities. It’s then up to the intruding outsider—the detective—to sniff out the intrigue and connections, until he manages to get hold of a loose strand of yarn and unravels the sweater of secrecy shrouding said community in untruths.
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By Mark Jackson
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