In the glory days of radio, “Sorry, Wrong Number“ kept listeners on the edge of their seats simply by inviting them to listen in on an increasingly tense series of telephone calls. That is the basic premise behind this lean Danish thriller, Gustav Möller’s “The Guilty,” which opens Oct. 19.
Smart writing and a ferocious, nearly single-handed lead performance make the formula crackle and pop, just like it did in the old-school wireless era.
