Film Review: ‘The Desperate Hour’: Naomi Watts Gives It Her All in a Bonkers Thriller

Michael Clark
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You have to give Australian director Phillip Noyce (“Dead Calm,” “Sliver,” “Salt”) and screenwriter Chris Sparling credit for two things. They chose to make a movie about a school shooting and did so within a real-time presentation. Coupling such a volatile sub-genre with a style of filmmaking most people regard as a gimmick is a huge gamble to take—both creatively and ethically. Sadly, at almost every turn, with every roll, the result is snake eyes.

Noyce and Sparling go one step further by including just three on-screen characters who are both seen and heard, and they fill the remainder with disembodied voices via smart phone. This is also something of another micro sub-genre effort, which has really only worked well once: “Buried” from 2010 starring Ryan Reynolds which was also penned by Sparling.

The Opening Salvo Shows Promise

We find out a great deal about Amy Carr (Naomi Watts) within the first 10 minutes. She wakes in the morning listening to a self-help podcast titled “Coping with Loss,” makes sure her young daughter Emily (Sierra Maltby) catches the school bus, brews some coffee, and hopes against hope her teen son Noah (Colton Gobbo) has woken up on the right side of the bed.
Michael Clark
Michael Clark
Author
Originally from the nation's capital, Michael Clark has provided film content to over 30 print and online media outlets. He co-founded the Atlanta Film Critics Circle in 2017 and is a weekly contributor to the Shannon Burke Show on FloridaManRadio.com. Since 1995, Clark has written over 5,000 movie reviews and film-related articles. He favors dark comedy, thrillers, and documentaries.
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