This past calendar year, professionally speaking, has not worked out well for Tom Hanks. He appeared in three films (“Elvis,” “Pinocchio,” and now “A Man Called Otto”), and none of them come close to matching his glory days of the 1990s or early 2000s (or even his post “Bosom Buddies” 1980s upstart phase).
Film Review: ‘A Man Called Otto’: A Homogenized Remake of a Swedish Cult Favorite
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