Elizabeth Barrett Browning, ‘Sonnet 14’

Love is about so much more than specific characteristics or appealing features, as Elizabeth Barrett Browning relates in ‘Sonnet 14.’
Elizabeth Barrett Browning, ‘Sonnet 14’
"Clasped Hands of Robert Browning and Elizabeth Barrett Browning," 1853, by Harriet Goodhue. Bronze. National Gallery of Art. The sculptor Harriet Goodhue met the couple in Rome, where she was inspired to cast the literary couple's hands. Public Domain
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If thou must love me, let it be for nought Except for love’s sake only. Do not say, I love her for her smile—her look—her way Of speaking gently,—for a trick of thought That falls in well with mine, and certes brought A sense of pleasant ease on such a day"— For these things in themselves, Belovèd, may Be changed, or change for thee—and love, so wrought, May be unwrought so. Neither love me for Thine own dear pity’s wiping my cheeks dry: A creature might forget to weep, who bore Thy comfort long, and lose thy love thereby! But love me for love’s sake, that evermore Thou mayst love on, through love’s eternity.

Elizabeth Barrett Browning was 40 years old when she married fellow Victorian poet Robert Browning. She had neither youth nor particular beauty to recommend her and was in frail health, but the two experienced a meeting of the minds through their correspondence. It all began when Robert wrote to express his admiration of her poems.
Portraits of Elizabeth Barrett Browning and Robert Browning, 1853, by Thomas Buchanan Read. (Public Domain)
Portraits of Elizabeth Barrett Browning and Robert Browning, 1853, by Thomas Buchanan Read. Public Domain
Marlena Figge
Marlena Figge
Author
Marlena Figge received her M.A. in Italian Literature from Middlebury College in 2021 and graduated from the University of Dallas in 2020 with a B.A. in Italian and English. She currently has a teaching fellowship and teaches English at a high school in Italy.