Apollo and the Making of Poetry

Apollo and the Making of Poetry
At the moment Daphne sends a prayer, she is transformed. “Apollo and Daphne,” between circa 1560 and circa 1565, by Paolo Veronese. San Diego Museum of Art. Public Domain
James Sale
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Portrait of Philip Dormer Stanhope, the Fourth Earl of Chesterfield, by William Hoare. National Portrait Gallery, London. (Public Domain)
Portrait of Philip Dormer Stanhope, the Fourth Earl of Chesterfield, by William Hoare. National Portrait Gallery, London. Public Domain

It was Lord Chesterfield, not a particularly profound thinker, who in 18th-century England correctly observed that “I am very sure that any man of common understanding may, by culture, care, attention, and labor, make himself whatever he pleases, except a great poet.” Given that Chesterfield was an aristocrat, and with all that sense of self-importance and entitlement that such aristocrats in those days (and since) bestowed upon themselves, and also well-known as a man of letters, this was quite a severe constriction or limitation that he placed upon all peoples everywhere: You simply couldn’t make yourself a poet no matter what you did! And as un-egalitarian as it sounds and is, it points to the real difficulty there is in becoming a poet (and by, I think, legitimate extension, an artist of any sort: composer, artist, or dramatist, to name three other major and cognate disciplines).

James Sale
James Sale
Author
James Sale has had over 50 books published, most recently, “Mapping Motivation for Top Performing Teams” (Routledge, 2021). He has been nominated for the 2022 poetry Pushcart Prize, and won first prize in The Society of Classical Poets 2017 annual competition, performing in New York in 2019. His most recent poetry collection is “StairWell.” For more information about the author, and about his Dante project, visit EnglishCantos.home.blog
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