‘Anthropoid’: An Inspirational and Moving WWII Drama

Cillian Murphy and Jamie Dornan star as anti-Nazi Czech heroes.
‘Anthropoid’: An Inspirational and Moving WWII Drama
Jan Kubis (Jamie Dornan, L) and Jozef Gabcík (Cillian Murphy), in "Anthropoid." (Lucky Man Films)
Michael Clark
2/10/2024
Updated:
2/13/2024
0:00
 R | 2h 0m | Drama, War, History, Mystery | 2016

Of all the skirmishes in human history, World War II has inspired the most movies—the greatest movies—and by all indicators, the trend shows no signs of ever letting up.

This is good on multiple levels. This was the last war in which the enemies and the allies were clearly defined. At the time, a scant few thought that the fascist-led Germany was on the right track and, for the most part, that opinion remains the same. “Anthropoid” is a movie that goes into detail about yet another already-covered World War II subplot, yet it remains one that only historians and war buffs remember. More on that later.

Target: Reinhard Heydrich

Involving no American characters, “Anthropoid” is a bookend of sorts to “Valkyrie,” the Tom Cruise vehicle from 2008 wherein German officers attempt to take out Adolf Hitler. The target for assassination in “Anthropoid” is Reinhard Heydrich (Detlef Bothe), Hitler’s third in command and the architect of the “Final Solution” plan for Jewish genocide. Mr. Bothe’s spot-on resemblance to Heydrich is beyond eerie and unnerving.
The amazing similarities between Reinhard Heydrich (L) and his counterpart (Detlef Bothe), in the film "Anthropoid." (Lucky Man Films)
The amazing similarities between Reinhard Heydrich (L) and his counterpart (Detlef Bothe), in the film "Anthropoid." (Lucky Man Films)

Code-named “Operation Anthropoid,” this was a mission executed by British-trained Czech soldiers, rightfully upset that other European nations essentially turned their backs, looked the other way, and allowed Germany to annex the Czech’s country without the firing of a single shot. It was one of the major political, tactical, and military blunders of the entire war.

Opening cold, without any back story, the film starts with multiple Czech expats parachuting into the woods not far from Prague on a snowy night. Josef Gabcik (Cillian Murphy, “Oppenheimer”) and Jan Kubis (Jamie Dornan, “Fifty Shades of Grey”) arrive relatively safely and soon encounter the first in a series of possibly fatal confrontations.
With the secret backing of the British government and exiled Czech leaders, Gabcik and Kubis spring the news of their plans on their confirmed partners (citizens who never left Prague), and it is rightfully met with mixed emotions. Yes, everyone wants the Nazis in general, and Heydrich in particular, to vamoose, but the naysayers in the group have a deeper grasp of the situation and a better view of the big picture.

Victory, Then What?

What happens if they actually succeed? The almost certain reprisals will result in untold needless civilian casualties and will make an incredibly bad situation even worse. All you need to do is look at what happened in 21st-century Iraq and Libya when their oppressive dictatorial leaders (with previous U.S. backing, by the way) were assassinated. We’re still dealing with the messy aftermath of those events.

Director Sean Ellis and his two screenwriters get a great deal right, but as is too often the case with committee-penned scripts, the narrative is pushed and pulled in multiple directions. The tense opening and brutal closing acts sandwich a middle that frequently meanders and treads water.

Lenka (Anna Geislerova), in "Anthropoid." (Lucky Man Films)
Lenka (Anna Geislerova), in "Anthropoid." (Lucky Man Films)
Throughout, two Czech women (Anna Geislerova as Lenka and Charlotte Le Bon as Marie) act as beards (pose as spouses to avoid suspicion) for Gabcik and Kubis, but as they spend more time together, business morphs into pleasure. How historically accurate this portion of the story may be matters little, as the filmmakers keep everything spare and believable while also employing old-school delicacy with the romantic stuff.

Sacred National Soil

What isn’t so believable is the protracted exchange of gunfire taking place at the Church of Saints Cyril and Methodius, the Orthodox church that served as a hideout after the attack on Heydrich and today is rightfully considered sacred national soil. Again, the filmmakers take what was likely too much artistic liberty with the laws of physics and probability, but this does little to diminish the overall impact.

“Operation Daybreak” (1975) covered exactly the same events as those played out in “Anthropoid,” but the approach, style, pacing, and photography are worlds apart. Both are good, neither is great, and each steadfastly avoids softening any edges.

Less successful versions include “Hangmen Also Die!” (1943), “Hitler’s Madman” (1943), “The Assassination“ (”Atentát”) (1964), “Sokolovo” (1975), and “The Butcher of Prague“ (”Ladice”) (2011).

Released after “Anthropoid” in 2017 was a movie based on the oddly titled 2010 Laurent Binet book “HHhH.” It starred Jason Clarke as Heydrich, and was issued with three different titles: “HHhH,” “Killing Heydrich,” and “The Man With the Iron Heart.” As with “Anthropoid,” the running time is exactly two hours.

Usually I’m partial to the “less is more” approach to storytelling, but the details surrounding Heydrich and his assassination are worthy of further exploration. A three- or four-part cable miniseries would do the trick.

The film is available on home video and to stream on Amazon Prime, HBO Max, and Apple TV+.
‘Anthropoid’ Director: Sean Ellis Stars: Cillian Murphy, Jamie Dornan, Charlotte Le Bon, Anna Geislerova, Detlef Bothe Running Time: 2 hours  MPAA Rating: R Release Date: Aug. 16, 2016 Rating: 3.5 stars out of 5
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Originally from Washington, D.C., Michael Clark has provided film content to over 30 print and online media outlets. He co-founded the Atlanta Film Critics Circle in 2017 and is a weekly contributor to the Shannon Burke Show on FloridaManRadio.com. Since 1995, Mr. Clark has written over 4,000 movie reviews and film-related articles. He favors dark comedy, thrillers, and documentaries.
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