A Symbiotic Relationship Between Sculptor and Foundry 

Much back and forth between a North Carolina sculptor and a Texas foundry has allowed the sculpture “Sowing the Seeds for the Future” to develop.
A Symbiotic Relationship Between Sculptor and Foundry 
(L–R) Clint Howard, owner of Pyrology Foundry, and Wesley Wofford, sculptor, posing in front of "Sowing the Seeds for the Future." Claire Suminski
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FRANKLIN, N.C.—Without a foundry, Emmy and Academy Award winning sculptor Wesley Wofford would have no way of achieving the imposing works of art at his Western North Carolina studio. Without sculptors like Wofford, Pyrology Foundry in Bastrop, Texas, would have no way of embracing emerging technologies and melding them with a 5,000-year-old lost wax casting process.

“It’s a symbiotic relationship,” said Clint Howard, a sculptor and Pyrology’s owner since 1999. “The artist and foundry must work together through every step of the process. The better that relationship is, the better the work turns out. And conversations must start in the very early design stages. … Some pieces have over five years in development before we even get started, so we become as invested in their completion as the artist and clients do. It’s a fun process!”

Deena Bouknight
Deena Bouknight
Author
A 30-plus-year writer-journalist, Deena C. Bouknight works from her Western North Carolina mountain cottage and has contributed articles on food culture, travel, people, and more to local, regional, national, and international publications. She has written three novels, including the only historical fiction about the East Coast’s worst earthquake. Her website is DeenaBouknightWriting.com
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