A Couple of Kings’ Couplets: How Shakespeare Uses Meter and Rhyme in ‘King Lear’

A Couple of Kings’ Couplets: How Shakespeare Uses Meter and Rhyme in ‘King Lear’
Dramatic opening scene from Shakespeare’s “King Lear” where Cordelia (standing at the center of the composition) has just been renounced by her father, the king. "King Lear," Act I, Scene I, 1898, by Edwin Austin Abbey. Oil on canvas. Metropolitan Museum of Art, New York. Public Domain
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Because we are incarnate beings, our spirits receive meaning through our bodies and their physical senses. If we don’t see (or hear or taste or smell or feel) it, we don’t believe it. We don’t even get it. To be effective, any work of art must convey meaning in some form.

Poetry too—at least good poetry—must unite the poet’s idea or notion or insight with a form in which it can be effectively conveyed. When that happens, we empathically experience meaning. Looking carefully into our own experience of a passage of good poetry, we can sometimes discern the bones and muscles and tendons that make an effective poetic utterance.

Gideon Rappaport
Gideon Rappaport
Author
Gideon Rappaport has a Ph.D. in English and American literature with specialization in Shakespeare. He has taught literature, writing, and Shakespeare at all levels and works as a theatrical dramaturge. His book "Appreciating Shakespeare" is now available, he podcasts at AppreciatingShakespeare.buzzsprout.com, and some of his lectures are on YouTube at “Shakespeare’s Real Take.”
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