Beauty Meets Virtuosity: Baroque and Rococo Ivory Sculpture

Beauty Meets Virtuosity: Baroque and Rococo Ivory Sculpture
"The Deposition of Christ," second half of 17th century, artist unknown. Ivory; 21 1/4 inches by 11 3/4 inches. The sculptural relief is believed to have been made in southern Germany, possibly Augsburg. Liebieghaus Sculpture Collection
Lorraine Ferrier
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In 1962, successful German building contractor Reiner Winkler bought his first ivory artwork, a small 15th-century Gothic panel of the Nativity that was once part of a diptych. And he fell in love with the medium. From that small French piece, only a few inches tall, Winkler began what would become the world’s largest private collection of ivory sculptures.

He focused on collecting works from the golden age of ivory carving: the 17th and 18th centuries. Winkler kept his collection close to him, first displaying the works in a cabinet in his living room along with porcelain and wooden figurines. As his ivory collection grew, he spread the works throughout his home, eventually moving the majority of them to a specially designed room he called “My cabinet of art and curiosities.”

Lorraine Ferrier
Lorraine Ferrier
Author
Lorraine Ferrier writes about fine arts and craftsmanship for The Epoch Times. She focuses on artists and artisans, primarily in North America and Europe, who imbue their works with beauty and traditional values. She's especially interested in giving a voice to the rare and lesser-known arts and crafts, in the hope that we can preserve our traditional art heritage. She lives and writes in a London suburb, in England.
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