Kenneth LaFave

Saint-Saëns unveiled his musical version of this allegory of death in 1875. Today it is likely the classical piece most associated with Oct. 31.

An ancient tale of battle and heroism was transformed into one of the most recognizable pieces of Western music.

Composer-pianist Edward McDowell wrote “To a Wild Rose” with a little help from his wife.

Before Hollywood’s swashbuckling heroes ever drew a sword, Hector Berlioz’s ‘Roman Carnival’ captured the sound of adventure.

Paganini’s eminently inspirational 24th Caprice found new form, fashion, and listeners in Rachmaninoff’s capable hands.

The dynamic actor has taken on vastly different roles with seamless ease.

The singer talks about her astounding career, and her advice for young operatic hopefuls.

This simple tune may hold the key to why Schubert’s melodies are so memorable.

Tchaikovsky’s emotional, romantic masterpiece went through three iterations before the version we all know and love captured audience’s imaginations.

Saint-Saëns unveiled his musical version of this allegory of death in 1875. Today it is likely the classical piece most associated with Oct. 31.

An ancient tale of battle and heroism was transformed into one of the most recognizable pieces of Western music.

Composer-pianist Edward McDowell wrote “To a Wild Rose” with a little help from his wife.

Before Hollywood’s swashbuckling heroes ever drew a sword, Hector Berlioz’s ‘Roman Carnival’ captured the sound of adventure.

Paganini’s eminently inspirational 24th Caprice found new form, fashion, and listeners in Rachmaninoff’s capable hands.

The dynamic actor has taken on vastly different roles with seamless ease.

The singer talks about her astounding career, and her advice for young operatic hopefuls.

This simple tune may hold the key to why Schubert’s melodies are so memorable.

Tchaikovsky’s emotional, romantic masterpiece went through three iterations before the version we all know and love captured audience’s imaginations.