Theater Review: ‘The Downpour’

Route 66’s new work, The Downpour, an ensemble effort by writer Caitlin Parrish, director Erica Weiss, as well as the small cast of actors, is the kind of work that gives me hope for theater’s future—it’s that good.
Theater Review: ‘The Downpour’
(L–R) Caroline Neff and Brenda Barrie appear in “The Downpour” at Chicago’s Greenhouse Theater Center. Brandon Dahlquist
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 CHICAGO—Route 66’s new work, The Downpour, an ensemble effort by writer Caitlin Parrish, director Erica Weiss, as well as the small cast of actors, is the kind of work that gives me hope for theater’s future—it’s that good.

Older sister Robin (Brenda Barrie), warm, loving, and optimistic, has taken care of her younger sister Hazel (Caroline Neff) almost as long as she can remember. The caustic younger woman, a professor and successful writer for young adults, has made her sister proud with her career. These two seem incredibly close, and we soon discover why.

The sisters have survived a psychotic mother, turned so by Hazel’s birth. Now Robin is expecting a baby and Hazel is horrified: Will her beloved sister, who bravely shielded her during her mother’s episodes, suddenly turn mad?

Lawyer Fred (Peter Moore), Robin’s husband, knows nothing of his wife’s traumatic past, since Robin hasn’t told him. To protect her present happy life, she wants to put her past behind her and enjoy her doting husband, the first person to ever take care of her.

Or is she fooling herself?

Robin, indeed, has psychotic episodes after her baby is born and becomes a terrifying danger to those around her.

Hazel is determined to help her sister, no matter the costs. But will Robin, resentful toward her sister and terrified at what she’s becoming, allow Hazel to mother her, to swap roles?

Mike Miller (Stef Tovar), Fred’s best friend and a cop, rounds out the players and acts as needed comic relief.

Seated next to me in the audience, young actress Abie Irabor said the set presents us with a “picture frame of a perfect family,” and so do the characters. Yet dysfunction is just a scratch a way. The sister we think is a mess turns out to be the strength that all rely on and that enables her to grow past her own scars.

The language of the dialogue sings. Sometimes it flows back and forth realistically; at other times, it is something a touch more with startling imagery. A special treat is hearing Hazel read aloud from one of her stories.

The acting is just as sure. Moore as Fred starts as an easygoing guy who is just happy to have found a beautiful and warm wife. He ends up scared and ready to run.

(L–R) Sisters Hazel (Caroline Neff) and Robin (Brenda Barrie) in a final moment of  "The Downpour." (Brandon Dahlquist)
(L–R) Sisters Hazel (Caroline Neff) and Robin (Brenda Barrie) in a final moment of  "The Downpour." Brandon Dahlquist
Sharon Kilarski
Sharon Kilarski
Author
Sharon writes theater reviews, opinion pieces on our culture, and the classics series. Classics: Looking Forward Looking Backward: Practitioners involved with the classical arts respond to why they think the texts, forms, and methods of the classics are worth keeping and why they continue to look to the past for that which inspires and speaks to us. To see the full series, see ept.ms/LookingAtClassics.
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