Theater Review: ‘Something Rotten!’

“Something Rotten!” is a very enjoyable confection of low comedy, song and dance, and moral platitudes, but sometimes that’s all one needs for a good time.
Theater Review: ‘Something Rotten!’
The Bard (Christian Borle) revered as something akin to a rock star, is surrounded by his adoring fans (the cast), in “Something Rotten!.” Joan Marcus
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NEW YORK— When it comes to show business, the more things change, the more they stay the same, as the rollicking Broadway musical comedy “Something Rotten!” shows.

Creators Karey Kirkpatrick (book, music, and lyrics), John O'Farrell (book), and Wayne Kirkpatrick (music and lyrics) take potshots at the larger-than-life world of the theater, not shy at all about gleefully nipping and occasionally biting at the hands that feed them. Their jest succeeds particularly well when they occasionally soften the verbal slings and arrows with a bit of affection for their targets.

1_6_SomethingRotten1In South London, 1595, during that period now referred to as the English Renaissance, we find that art and culture flourish and, as the opening number notes, “everything is new.” True, the living conditions can be less than enviable; true, Jews aren’t allowed to be patrons of the arts; and true, the idea of a married woman getting a job outside the home is repellent to many, but on the whole, it’s an enlightened period.

Ironic juxtapositions run throughout.

It’s also a time when, if your name is not Shakespeare, it’s tough to be a playwright, as struggling scribes Nick and Nigel Bottom (Brian d'Arcy James, John Cariani) are all too aware.

The show is a love letter to the theater, even as it tries to skewer it at every turn.
Judd Hollander
Judd Hollander
Author
Judd Hollander is a reviewer for stagebuzz.com and a member of the Drama Desk and Outer Critics Circle.
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