Theater Review: ‘Informed Consent’

Deborah Zoe Laufer’s thought-provoking drama “Informed Consent,” based on actual events, is being presented by the Primary Stages.
Theater Review: ‘Informed Consent’
(L–R) Tina Benko, Myra Lucretia Taylor, and Jesse J. Perez in a scene from “Informed Consent,” a play in which a world of data is pitted against a world of relationships. James Leynse
Updated:

NEW YORK—During the height of the Monica Lewinsky scandal, former President Bill Clinton said it all came down to the question of what “is” is. Such hairsplitting of words and the intent behind them is one of the underlying issues in Deborah Zoe Laufer’s thought-provoking drama “Informed Consent.” Based on actual events, the work is being presented by Primary Stages and Ensemble Studio Theatre at the Duke on 42nd Street.

Jillian (Tina Benko), a genetic anthropologist, has been tasked with trying to figure out why a Native American tribe, living on the floor of the Grand Canyon, has such a high rate of diabetes. According to the tribe’s history, they have lived there for all time, something they take quite seriously. 

They also believe their blood to be sacred, which is why they have never allowed it to be collected by outsiders for any reason.

Informed consent acts as a safety valve to prevent science from running amok.
Judd Hollander
Judd Hollander
Author
Judd Hollander is a reviewer for stagebuzz.com and a member of the Drama Desk and Outer Critics Circle.
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