Theater Review: ‘Admissions’

Joshua Harmon’s “Admissions” covers a lot of ground: political correctness, discrimination and the reverse of it, white privilege, affirmative action. And hypocrisy.
Theater Review: ‘Admissions’
(L–R) Sherri Rosen-Mason (Jessica Hecht) her husband Bill (Andrew Garman) have high hopes for their son, Charlie (Ben Edelman), who hopes to attend Yale. Jeremy Daniel
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NEW YORK—Joshua Harmon’s “Admissions,” now playing at Lincoln Center’s Mitzi E. Newhouse Theater in Manhattan, covers a lot of ground: political correctness, discrimination and the reverse of it, white privilege, affirmative action. And hypocrisy.

Set in a ritzy Northeastern prep school, liberal-minded Sherri Rosen-Mason (Jessica Hecht) reigns as head of admissions. Both she and her husband Bill, who is the headmaster (Andrew Garman), have worked tirelessly to promote diversity in the institution.

Diana Barth
Diana Barth
Author
Diana Barth writes for various theatrical publications and for New Millennium. She may be contacted at [email protected]
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