“I do a lot of performing at theater stuff and I might be a little more critical than most people,” said Mr. Goss.

“We were just talking about the different aspects of it. Visually incredible. The dancing was just beautiful. The synchronicity, I’m always looking for little flaws and stuff, it was fantastic. The performances were wonderful,” he added.

“I think there’s 12 women in the cast, and 13 men. And you could tell that if two were performing, the others were changing and they were going back and forth. It’s very intricate and I bet they had quite a few changers in the back, I’m assuming, to make that work. So I find it interesting the things that the audience doesn’t [see] going on in the back and how they’re changing everything and stuff. But it was beautiful,” said Mr. Goss.

“The synchronicity of when they all dance together, I would love watching arms, the specifics, and if they were all exactly the same level. I like picking things out like that and I thought that was really impressive. It was just beautiful,” commented Mr. Goss.

“The costumes are gorgeous. I know the logistics of how difficult it is to go off stage and have to change costumes really quickly and come right back out and perform again,” said Mr. Goss.

“There’s the passion and the energy they had in their dancing. It was beautifully done. And you know they performed this an awful lot all over the country time after time. And to keep that kind of passion over and over again,” said Mr. Goss.

“The soloist, the female soloist was beautiful. And that pianist probably doesn’t get the credit she deserves too. She was phenomenal,” said Mr. Goss.