‘The Mikado’ Returns Without Kimonos

‘The Mikado’ Returns Without Kimonos
L to R: (Seated) Jessica Rose Futran as Pitti-Sing, Andy Herr as Pohh-Bah(Standing) Adam B. Shapiro as Ko-Ko. Carol Rosegg
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NEW YORK—Last year, the New York Gilbert & Sullivan Players abandoned plans to present “The Mikado.” The popular operetta, set in Japan, was traditionally performed by Caucasian performers in yellowface. Just as the Metropolitan Opera decided to do away with Otello’s black makeup in the Verdi opera, so the G&S Players decided to rethink the 1885 piece.

The mostly happy end-result on this occasion is the new “Mikado,” directed and choreographed by David Auxier and presented at Kaye Playhouse at Hunter College (68th Street between Park and Lexington avenues).

The production begins with the sparkling overture, played by the 25-piece orchestra, conducted by Aaron Gandy.

Cáitlín Burke as Katisha (C) and company in the first act finale. (Carol Rosegg)
Cáitlín Burke as Katisha (C) and company in the first act finale. Carol Rosegg
Barry Bassis
Barry Bassis
Author
Barry has been a music, theater, and travel writer for over a decade for various publications, including Epoch Times. He is a voting member of the Drama Desk and the Outer Critics Circle, two organizations of theater critics that give awards at the end of each season. He has also been a member of NATJA (North American Travel Journalists Association)