‘Oedipus Rex’ and the Natural Theater

‘Oedipus Rex’ and the Natural Theater
Oedipus chooses his fate of blindness. “Blind Oedipus Commending his Children to the Gods,” 1784, by Bénigne Gagneraux. National Museum, Stockholm. Public Domain
Robert Cooperman
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Sophocles’s “Oedipus Rex” predates us by approximately 2,500 years. By today’s standards, it should have little, if anything, to teach us. After all, it does not speak to the realities of contemporary life. And if we go by today’s “realities,” almost anything cultural or philosophical has the shelf life of a cellphone: We must trade it in every year in order to remain relevant.

The fact is, however, that like the inalienable rights that Thomas Jefferson outlined in the Declaration of Independence, which the founders believed were guaranteed by “Nature’s God,” “Oedipus Rex” has stood the test of time by exemplifying what I am calling “Natural Theater.” This is theater that understands the permanence of human nature and seeks to portray humanity with all its flaws, countered by all its joys, with the ever-present hope of redemption.

Robert Cooperman
Robert Cooperman
Author
Robert Cooperman is the founder of Stage Right Theatrics, a theater company dedicated to the preservation of our Founding Fathers' vision through the arts. Originally from Queens, New York, he now lives in Columbus, Ohio, where he earned his doctorate at The Ohio State University.
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