In the Light of Italy, Artists Paint ‘True to Nature’

In the Light of Italy, Artists Paint ‘True to Nature’
"The Tomb of Caecilia Metella," circa 1830, by Léon-François-Antoine Fleury. Oil on canvas; 11 inches by 13 inches. Gift of Frank Anderson Trapp. National Gallery of Art, Washington
Lorraine Ferrier
Updated:
“No two days are alike, nor even two hours; neither were there ever two leaves of a tree alike since the creation of all the world; and the genuine productions of art, like those of nature, are all distinct from each other,” British landscape painter John Constable said. 
Constable referred to nature’s only constant: change. An academic art studio can never simulate the way the light falls on the land at a particular time of day. Artists needed to go out and study nature for themselves. 
Lorraine Ferrier
Lorraine Ferrier
Author
Lorraine Ferrier writes about fine arts and craftsmanship for The Epoch Times. She focuses on artists and artisans, primarily in North America and Europe, who imbue their works with beauty and traditional values. She's especially interested in giving a voice to the rare and lesser-known arts and crafts, in the hope that we can preserve our traditional art heritage. She lives and writes in a London suburb, in England.
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