Celebrating Donatello, One of the Fathers of the Early Italian Renaissance

Celebrating Donatello, One of the Fathers of the Early Italian Renaissance
“Virgin and Child (Pazzi Madonna),“ circa 1422, by Donatello. Marble; 29 3/8 inches by 28 3/4 inches by 2 1/2 inches. Sculpture Collection (Bode-Museum), State Museum of Berlin. Antje Voigt/Sculpture Collection and Museum for Byzantine Art, State Museum of Berlin
Lorraine Ferrier
Updated:

BERLIN—Two Davids greet visitors at the entrance to the exhibition “Donatello: Inventor of the Renaissance” in Berlin’s Gemäldegalerie, and they couldn’t be more different.

Having left Florence, Italy, for the first time, Donatello’s triumphant marble sculpture “David” dons classical drapery and a crown of wine grapes normally seen on Bacchus, the Roman god of wine. He appears pensive. Look closely and you’ll see the sculpture’s anatomy is not quite right: Notice his elongated neck and fingers as per the Gothic style.

Lorraine Ferrier
Lorraine Ferrier
Author
Lorraine Ferrier writes about fine arts and craftsmanship for The Epoch Times. She focuses on artists and artisans, primarily in North America and Europe, who imbue their works with beauty and traditional values. She's especially interested in giving a voice to the rare and lesser-known arts and crafts, in the hope that we can preserve our traditional art heritage. She lives and writes in a London suburb, in England.
Related Topics