Why Enough Is Never Enough and Why Sensationalism Is Destroying Theater

Does it take sadistic perversity to get us into theater seats today?
Why Enough Is Never Enough and Why Sensationalism Is Destroying Theater
"Triumph of death," by Pieter Brueghel the Elder from 1562. Is it the end of civilization? Or just the end of sensationalistic theater. Museo del Prado/Public Domain
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Does it take sadistic perversity to get us into theater seats today?

In a long, multifaceted, and sad statement on art, professor Michael J. Lewis of Williams College states that art today is irrelevant because the public has grown indifferent to it. Once something meaningful to chew on, art is now only a commercial venture that entertains. In light of the off-Broadway premiere of “Mercury Fur,” this idea is worth thinking about.

The fine arts attacked everything once valued—the essence of any civilization.
Sharon Kilarski
Sharon Kilarski
Author
Sharon writes theater reviews, opinion pieces on our culture, and the classics series. Classics: Looking Forward Looking Backward: Practitioners involved with the classical arts respond to why they think the texts, forms, and methods of the classics are worth keeping and why they continue to look to the past for that which inspires and speaks to us. To see the full series, see ept.ms/LookingAtClassics.