What Good Is Poetry? Robert Louis Stevenson’s ‘Requiem’: A Kind of Homecoming

What Good Is Poetry? Robert Louis Stevenson’s ‘Requiem’: A Kind of Homecoming
Robert Louis Stevenson, circa 1880, the Scottish writer who wrote the enduringly popular 19th-century novels as well as poetry. Hulton Archive/Getty Images
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A white tomb overlooks the sea on a mountain in Samoa. It is the final resting place of one the natives called “Tusitala,” the Teller of Tales. Dead men tell no tales, and so it is for this man who told of pirates, knights, and swashbucklers: Robert Louis Stevenson. But his tales live on, despite the silence that hovers smilingly over his grave.

Set into the hard marble of this solemn sepulcher is a weathered bronze plaque presenting a very cheerful bit of poetry.

Under the wide and starry sky, Dig the grave and let me lie. Glad did I live and gladly die, And I laid me down with a will.

This be the verse you grave for me: Here he lies where he longed to be; Home is the sailor, home from sea, And the hunter home from the hill.

These are the parting words, the last conclusion, of the Scottish storyteller. After a lifetime of struggle to quit his bed and live out the appetite for life that he could only write about, Stevenson sailed to Samoa, in weary pursuit of a climate that would agree with his fragile and failing constitution.
Sean Fitzpatrick
Sean Fitzpatrick
Author
Sean Fitzpatrick serves on the faculty of Gregory the Great Academy, a boarding school in Elmhurst, Pa., where he teaches humanities. His writings on education, literature, and culture have appeared in a number of journals, including Crisis Magazine, Catholic Exchange, and the Imaginative Conservative.
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