Weaver Stanley Bulbach: Our Little Acknowledged Classical Heritage

Can understanding classical art give us insights into our political relationship with the Middle East? Artist and scholar Stanley Bulbach believes so.
Weaver Stanley Bulbach: Our Little Acknowledged Classical Heritage
“Fall Too Soon,” 1988, by Stanley Bulbach. A prayer carpet. Courtesy of Stanley Bulbach
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Can understanding classical art give us insights into our political relationship with the Middle East? Artist and scholar Stanley Bulbach believes so.

For Bulbach, who weaves flatwoven carpets, the phrase “classical art” expands in both aesthetic and historical meaning. This expanded view of classical art, he suggests, can challenge us to reconsider where Western civilization came from—back past the Greeks to ancient Mesopotamia, now modern-day Iraq, but traditionally called the Near East.

"September Passages," 2001, by Stanley Bulbach. A flying carpet. (Courtesy of Stanley Bulbach)
"September Passages," 2001, by Stanley Bulbach. A flying carpet. Courtesy of Stanley Bulbach
Sharon Kilarski
Sharon Kilarski
Author
Sharon writes theater reviews, opinion pieces on our culture, and the classics series. Classics: Looking Forward Looking Backward: Practitioners involved with the classical arts respond to why they think the texts, forms, and methods of the classics are worth keeping and why they continue to look to the past for that which inspires and speaks to us. To see the full series, see ept.ms/LookingAtClassics.
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