Truth Tellers: Tchaikovsky and His Reaching Toward Sublimity

Truth Tellers: Tchaikovsky and His Reaching Toward Sublimity
A detail from a portrait of Pyotr Ilyich Tchaikovsky, 1893, by Nikolai Dmitriyevich Kuznetsov. Tretyakov Gallery. PD-US
Raymond Beegle
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A young student, having just met the elder Pyotr Ilyich Tchaikovsky, made a remark suggesting that composers wrote initially by inspiration. Tchaikovsky, he recalled, “made an impatient gesture with his hand and said with annoyance: ‘Ah, young man, don’t be trite! You can’t await inspiration,' according to musicology professor David Brown in “Tchaikovsky Remembered.”

“What is needed is work, work, and work. Inspiration is born only of work, and during work. Every morning I sit down to work. If from this nothing comes today, I’ll sit down tomorrow at the very same work. Thus, I write for one day, for two, for ten days, not despairing if nothing comes, for on the eleventh day, you will see, something will come.”

Raymond Beegle
Raymond Beegle
Author
Raymond Beegle has performed as a collaborative pianist in the major concert halls of the United States, Europe, and South America; has written for The Opera Quarterly, Classical Voice, Fanfare Magazine, Classic Record Collector (UK), and The New York Observer. Beegle has served on the faculty of the State University of New York–Stony Brook, the Music Academy of the West, and the American Institute of Musical Studies in Graz, Austria. He taught in the chamber music division of the Manhattan School of Music for 31 years.
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