Titian’s ‘Penitent Magdalene’

Titian and his workshop created at least nine variations of the repentant Mary Magdalene for 16th-century art patrons.
Titian’s ‘Penitent Magdalene’
A detail from “The Penitent Magdalene,” 1555–1565, by Titian. Getty Center, Los Angeles. Public Domain
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Few biblical stories are better known than that of Mary Magdalene. According to the Roman Catholic interpretation, Mary is the adulteress whom Christ forgives—thus becoming a cultural symbol of atonement.

One of Jesus’s closest followers, Mary played a role in several events narrated in the Gospels. She was also the first to discover Christ’s empty tomb after his resurrection. Legends of Mary’s seclusion developed centuries after her death: Stories said she spent her remaining days as a hermit in prayer and penance. These accounts provided inspiration for religious art—including Italian Renaissance painter Titian (circa 1490–1576).

James Baresel
James Baresel
Author
James Baresel is a freelance writer who has contributed to periodicals as varied as Fine Art Connoisseur, Military History, Claremont Review of Books, and New Eastern Europe.