Robert Darnton has presented an intriguing and enlightening (no pun intended) work on the literati of 18th-century France. The author is also up-front about what the book is and is not, based on the parameters of its size and scope. He wrote that his book “is meant as an essay, not a treatise—that is, as an attempt to try out an argument, to interpret a familiar subject in an unfamiliar light.”
This “unfamiliar light” shines brightly in his new book, “The Writer’s Lot: Culture and Revolution in Eighteenth Century France.” The “familiar subject” is the writers of the French Revolution, but the interpretation follows the lives of three writers from pre-revolutionary and revolutionary France, how their works were viewed, accepted, and, most importantly for those individual writers, where their financial backing came from.