Theater Review: ‘The Total Bent’

Despite its structural flaws, “The Total Bent” is a brilliant piece of theater and a stellar example of the power of music and the messages it can convey.
Theater Review: ‘The Total Bent’
Vondie Curtis Hall plays Papa Joe in “The Total Bent,” running at The Public Theater. Joan Marcus
Updated:

NEW YORK—Containing elements of racism, religion, political turmoil, and more than a little ironic satire, the musical drama “The Total Bent” explodes off the stage at The Public Theater. The work offers a journey both thrilling and insightful, despite its sometimes flawed storytelling.

With a text by Stew and music by Stew and Heidi Rodewald, the play is set in Montgomery, Alabama, at the dawn of the civil rights movement.

(L–R) Marty (Ato Blankson-Wood) and Byron Blackwell (David Cale) in a scene from "The Total Bent." (Joan Marcus)
(L–R) Marty (Ato Blankson-Wood) and Byron Blackwell (David Cale) in a scene from "The Total Bent." Joan Marcus
Judd Hollander
Judd Hollander
Author
Judd Hollander is a reviewer for stagebuzz.com and a member of the Drama Desk and Outer Critics Circle.
Related Topics