Theater Review: ‘The Price’

“The Price,” like all of Arthur Miller’s works, is imbued with richness and humanity.
Theater Review: ‘The Price’
(L–R) Gregory Solomon (Danny DeVito), a furniture dealer, is appraising the inherited belongings of brothers Victor (Mark Ruffalo) and Walter Franz (Tony Shalhoub) after the death of their parents, in “The Price.” Joan Marcus
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NEW YORK—We’re greeted by a helter-skeltery New York apartment, maybe an attic, with a conglomeration of banged-up chairs and other decrepit furniture filling the space and hanging from the ceiling.

Victor Franz (Mark Ruffalo), a cop by the looks of his uniform, is looking through it all. He turns on an old Victrola, and it plays a recording of somebody laughing. He’s soon joined by his wife Esther (Jessica Hecht), who’s looking spiffy in a pink suit.

They’re about to make a deal to sell all the stuff, which is the property of Victor’s late parents.

Is a successful career enough to make a man happy?
Diana Barth
Diana Barth
Author
Diana Barth writes for various theatrical publications and for New Millennium. She may be contacted at [email protected]
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