Theater Review: ‘The Most Reluctant Convert’

Max McLean masterfully embodies British novelist, literary critic, and scholar C.S. Lewis in the quietly moving one-man show, “The Most Reluctant Convert.”
Theater Review: ‘The Most Reluctant Convert’
Max McLean in “The Most Reluctant Convert.” McLean wrote as well as co-directed the play with Ken Denison. Jeremy Daniel
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NEW YORK—Max McLean masterfully embodies British novelist, literary critic, and scholar C.S. Lewis in the quietly moving one-man show “The Most Reluctant Convert.” The man who penned “The Chronicles of Narnia,” Lewis was a confirmed atheist, who, after years of intellectual inquisitiveness, came to believe in the existence of God, Jesus Christ, and a world beyond the one in which we live.

In his study at Magdalen College, Oxford in 1950 (where he was on the faculty for over 25 years), Lewis recounts, in a scholarly and at times nonlinear fashion, events that shaped the beliefs he now holds.

Lewis eventually came to his conversion begrudgingly.
Judd Hollander
Judd Hollander
Author
Judd Hollander is a reviewer for stagebuzz.com and a member of the Drama Desk and Outer Critics Circle.
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