Theater Review: ‘The Cherry Orchard’

A new version of the Anton Chekhov’s “Cherry Orchard” by Stephen Karam encompasses the elements of the play in all its complexity and richness.
Theater Review: ‘The Cherry Orchard’
Businessman Lopakhin (Harold Perrineau), representing new wealth, and Madame Ranevskaya (Diane Lane), the old, in “The Cherry Orchard.” Joan Marcus
Updated:

NEW YORK—In presenting the woes of one family, the Russian playwright Anton Chekhov has presented a microcosm of Russia just after the turn of the 20th century. The aristocracy is losing its power, and the lower classes are about to rise to the top of society. A new version of the play by Stephen Karam, directed by Simon Godwin, encompasses the elements of Chekhov’s play in all its complexity and richness.

The elegant Madame Ranevskaya (Diane Lane) is returning to her Russian estate after a five-year sojourn in Paris, where she fled shortly after the death by drowning of her 7-year-old son.

Production elements are outstanding in this production.
Diana Barth
Diana Barth
Author
Diana Barth writes for various theatrical publications and for New Millennium. She may be contacted at [email protected]
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