Theater Review: ‘The Cherry Orchard’

Director Lev Dodin’s version of Anton Chekhov’s “The Cherry Orchard” at BAM’s Harvey Theater is an example of his unique, often audacious, productions.
Theater Review: ‘The Cherry Orchard’
Mme. Ranevskaya (Ksenia-Rappoport) says goodbye to her beautiful estate and the legacy of the Russian aristocracy in “The Cherry Orchard.” Stephanie-Berger
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BROOKLYN, N.Y.—Director Lev Dodin, artistic director of the Maly Drama Theatre of St. Petersburg, Russia, is noted for his unique, often audacious, productions. His current version of Anton Chekhov’s “The Cherry Orchard” at BAM’s Harvey Theater is an example.

Aleksander Borovky’s design echoes Dodin’s concept of minimalism: letting the play speak for itself. The set consists of a few nondescript chairs, a table, cot, and bookshelf, rather than set pieces. However, the audience seats are each covered with linen, as it appears onstage covering the furniture pieces.

The genius of Chekhov ensures that what we see passing before us is the downfall of the once ruling aristocracy of Russia.
Diana Barth
Diana Barth
Author
Diana Barth writes for various theatrical publications and for New Millennium. She may be contacted at [email protected]
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