Theater Review: ‘The Book of Will’

Lauren Gunderson’s heartfelt and intelligent “Book of Will” is built around the few facts known about the 1623 publication of Shakespeare’s complete works.
Theater Review: ‘The Book of Will’
(L–R) The King’s Men Henry Condell (Gregory Linington) and John Heminges (Jim Ortlieb), as well as Alice Heminges (Dana Black), in the alehouse. Northlight Theatre
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SKOKIE, Ill.—Death can be a potent reminder of what little time we have left to do what our hearts ache to do. In the case of the few surviving players of The King’s Men, the acting company for which William Shakespeare wrote, death reminds these aging gentlemen of something larger than themselves. In a world of pirated and corrupted literature, all of Shakespeare’s actual plays will be lost—forever—unless they do something. What will their legacy to the world be?

Lauren Gunderson’s heartfelt and intelligent “The Book of Will” is built around the few facts known about the 1623 publication of Shakespeare’s complete works in folio form. She imagines who the Dark Lady of Shakespeare’s sonnets was, how the folio came to be published by scalawag publisher William Jaggert (Austin Tichenor), and how the most famous playwright of the day and Shakespeare’s rival, Ben Johnson (William Dick), came to write the folio’s preface.

Sharon Kilarski
Sharon Kilarski
Author
Sharon writes theater reviews, opinion pieces on our culture, and the classics series. Classics: Looking Forward Looking Backward: Practitioners involved with the classical arts respond to why they think the texts, forms, and methods of the classics are worth keeping and why they continue to look to the past for that which inspires and speaks to us. To see the full series, see ept.ms/LookingAtClassics.
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