Theater Review: ‘Ride the Cyclone’

The fascinating and very satisfying “Ride the Cyclone” runs the gamut from tragedy to almost-farce.
Theater Review: ‘Ride the Cyclone’
(L–R) Kholby Wardell, Lillian Castillo, Alex Wyse, Tiffany Tatreau, and Gus Halper in “Ride the Cyclone.” Joan Marcus
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NEW YORK—One would never imagine such a weird premise for a musical. On the other hand, someone did. Written by Brooke Maxwell and Jacob Richmond, “Ride the Cyclone” presents six teenagers who have already met their demise when the roller coaster they were riding in breaks apart in a freak accident, plunging them to their deaths.

This show, which originated in Canada and made its American debut in Chicago last year, is wild, witty, and weird. It’s a hoot, never letting down in energy and verve, as performed by most of its original, terrific cast.

Performances are absolutely top-rate.
Diana Barth
Diana Barth
Author
Diana Barth writes for various theatrical publications and for New Millennium. She may be contacted at [email protected]
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