Theater Review: ‘Long Day’s Journey Into Night’

Theater Review: ‘Long Day’s Journey Into Night’
(L–R) James Tyrone, Sr. (Jeremy Irons), Edmund (Matthew Beard), Mary Tyrone (Lesley Manville), and Jamie (Rory Keenan), a tight knit-family, in Eugene O’Neill’s autobiographical "Long Day's Journey Into Night." Hugo Glendinning
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BROOKLYN, N.Y.—“Long Day’s Journey Into Night” is considered by many to be one of Eugene O'Neill’s finest plays, if not the finest. This production of the play, transplanted from the Bristol Old Vic in Britain, has weathered crossing the “pond” to the Brooklyn Academy of Music (BAM).

It is certainly O‘Neill’s most autobiographical work, for the Tyrone family depicted is clearly based upon O’Neill’s own. Here, James Tyrone, Sr. (Jeremy Irons), the former theater matinee idol, is shown with his wife and two sons in their summer home somewhere in a Northeastern port town.

Diana Barth
Diana Barth
Author
Diana Barth writes for various theatrical publications and for New Millennium. She may be contacted at [email protected]
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