Theater Review: ‘Kentucky’

Leah Nanako Winkler’s “Kentucky” is a comedic romp that also offers food for thought on a variety of important topics.
Theater Review: ‘Kentucky’
(L–R) Hiro (Satomi Blair) wants to save her sister (Sasha Diamond) from a wedding she considers ill-advised. Jody Christopherson
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NEW YORK—Leah Nanako Winkler’s “Kentucky,” now showing at Ensemble Studio Theatre, starts out lightly. A trio of girl singers, Merissa Czyz, Samantha Sembler, and Shannon Tyo, serenade us with an energetic hip-hop style, and we know we’re in for an evening of flat-out hilarity.

But that’s only part of the deal. The scene shifts to a therapy session in New York.  Hiro (Satomi Blair) complains to her therapist, Larry (Curran Connor), that her sister, Sophie (Sasha Diamond), is to be married down in Kentucky to a man she’s known for only six months.

Hiro’s got to get Sophie away from that land of limited possibilities and get her back to New York, where she can live a productive and happy life. Hiro can even get her a job as an administrative assistant at the company where Hiro works.

Racial intermarriage is on playwright Winkler's agenda.
Diana Barth
Diana Barth
Author
Diana Barth writes for various theatrical publications and for New Millennium. She may be contacted at [email protected]
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