Theater Review: ‘Antigone’

Stark, severe, uncompromising, dark—these are the qualities imbued by director Ivo van Hove into his production of “Antigone.”
Theater Review: ‘Antigone’
Antigone (Juliette Binoche) giving her brother burial rites, although forbid to do so by her uncle the king. What is the price for doing what one believes to be right? Stephanie Berger
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NEW YORK—Stark, severe, uncompromising, dark—these are the qualities imbued by director Ivo van Hove into his production of “Antigone,” translated by Anne Carson in a new version of Sophokles’s classic play.

Costumed in modern dress, mostly in black (An d'Huys), with a minimalist set and lighting design (Jan Versweyveld), this version speaks to 21st century audiences. Softly throbbing background music (Daniel Freitag) deepens the effect, while video projections (Tal Yarden) strengthen the modernist concept.

Sophokles's ideas—universal and timeless—ring true in today's conflict-torn world.
Diana Barth
Diana Barth
Author
Diana Barth writes for various theatrical publications and for New Millennium. She may be contacted at [email protected]
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