Theater Review: ‘Anna Karenina’

Theater Review: ‘Anna Karenina’
Dan Granata as Levin and Brandi Lee as Kitty, in Jessica Wright Buha’s stage adapation of Leo Tolstoy’s “Anna Karenina.” Levin, in many ways, is an autobiographical character. Suzanne Plunkett
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CHICAGO—Missing are the glittering ballrooms, lavish costumes, and the panoramic views of huge estates that create the 19th-century Russia we are used to seeing on film. Instead, Jessica Wright Buha’s world-premiere adaptation of Leo Tolstoy’s “Anna Karenina” focuses on the characters and their thirst for happiness. And whatever the adaptation lacks in poetry and scope, director Amanda Link more than compensates for with visual touches and brilliant, resonating stage work.
Tolstoy’s solution for happiness is revealed in two main plots. The first involves Levin (Dan Granata), a philosophic landowner in love with Kitty (Brandi Lee), who at the start of the story has eyes for the dashing Count Vronsky (Eric Gerard).
Sharon Kilarski
Sharon Kilarski
Author
Sharon writes theater reviews, opinion pieces on our culture, and the classics series. Classics: Looking Forward Looking Backward: Practitioners involved with the classical arts respond to why they think the texts, forms, and methods of the classics are worth keeping and why they continue to look to the past for that which inspires and speaks to us. To see the full series, see ept.ms/LookingAtClassics.
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