‘The Time Machine’: An Everlasting Matter of Time

‘The Time Machine’: An Everlasting Matter of Time
Thomas Cole's series of five paintings, "The Course of Empire," is a time machine of sorts. It shows the rise and fall of man's morality and civilization. His fourth in the series: “The Course of Empire: Destruction,” 1836. Oil on Canvas, 39.5 inches by 63.5 inches. New York Historical Society. Public Domain
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In writing “The Time Machine” 125 years ago, Herbert George Wells not only invented the catchphrase “time machine,” but he also invented a time machine of imagination, for its pages whisk the time-bound reader beyond the constraints of the numerical continuum of space and experience, leaping into a bizarre future that is both beautiful and brutal in its features. “The Time Machine” is both science fiction and social fiction, and as time has shown, the impossible dreams of science tend to come true, as do the impossible nightmares of society.

A portrait photo of English writer Herbert George Wells, circa 1918. (PD-US)
A portrait photo of English writer Herbert George Wells, circa 1918. PD-US
Sean Fitzpatrick
Sean Fitzpatrick
Author
Sean Fitzpatrick serves on the faculty of Gregory the Great Academy, a boarding school in Elmhurst, Pa., where he teaches humanities. His writings on education, literature, and culture have appeared in a number of journals, including Crisis Magazine, Catholic Exchange, and the Imaginative Conservative.
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