‘The Return of the Prodigal Son’: Love and Forgiveness

‘The Return of the Prodigal Son’: Love and Forgiveness
A detail from “The Return of the Prodigal Son,” 1773, by Pompeo Batoni. Oil on Canvas, 54 inches by 40 inches. Museum of Art History, Vienna, Austria. Public Domain
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I recently came across Pompeo Batoni’s “The Return of the Prodigal Son” and was immediately struck by the care and warmth between the two figures in the painting. What might this painting and the story it represents provide for us today? 

Pompeo Batoni and the Grand Tour

Pompeo Batoni (1708–1787) has been described as Italy’s “last old master.” During the 18th century, he was the most famous painter in Europe and dominated Italian portrait painting. He was also well-known for religious and allegorical paintings. 
During the 18th century, the Grand Tour, which was a rite of passage for wealthy young men, was very popular. The youths traveled throughout Europe to gain a deeper connection to their traditions and cultural heritage.
Eric Bess
Eric Bess
Author
Eric Bess, Ph.D., is a fine artist, a writer on art-related topics, and an assistant professor at Fei Tian College in Middletown, New York.
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