‘The Porch on Windy Hill’: Where Music Helps Healing Begin

New York meets North Carolina in this play about music, family, and repairing burned bridges.
‘The Porch on Windy Hill’: Where Music Helps Healing Begin
(L–R) Mira (Tora Nogami Alexander), Beckett (Morgan Morse), and Edgar (David M. Lutken) make music together, in "The Porch on Windy Hill." Ben Hider
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NEW YORK—Music can’t simply wash away years of pain or magically restore broken family bonds, but it can certainly serve as a starting point. This is made heartbreakingly clear in “The Porch on Windy Hill.” Billed as “a new play with old music,” the show is currently in the midst of an encore engagement at Urban Stages.

It’s late spring in 2021, and pandemic restrictions have recently lifted. Mira (Tora Nogami Alexander) is a classical violinist. She and her live-in boyfriend Beckett (Morgan Morse), a musicologist from Brooklyn, who specializes in the history of rural American folk music, are on a trip through the South to visit local music festivals, shindigs, and pickin’ parties as he collects material for his doctorate. When car trouble requires a sudden change of route, Mira suggests they stop at the town of Windy Hill in Western North Carolina to check out the performances at a local church.

A Sudden Change

When they arrive, Mira is shocked to see Edgar Wilson (David M. Lutken) among the musicians. Wilson is her 75-year-old grandfather, from whom she’s been estranged nearly 18 years. The estrangement began when, at the age of 7, she was on the receiving end of certain remarks made during a family gathering. Apparently, it was the culmination of events concerning her parents’ mixed-race marriage; Mira’s father is Korean. The event led her parents to angrily depart with her. They moved to New York soon after and cut all contact with Edgar, something Beckett never knew before this day.
Judd Hollander
Judd Hollander
Author
Judd Hollander is a reviewer for stagebuzz.com and a member of the Drama Desk and Outer Critics Circle.