The Art of China’s Bird-Flower Painting Through the Dynasties

The Art of China’s Bird-Flower Painting Through the Dynasties
“Pigeon on a Peach Branch,” Northern Song Dynasty, by Emperor Huizong (1082-1135). Ink and color on silk hanging scroll, 11.3 by 10.2 inches. Public domain/Private Collection in Japan
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The bird-and-flower paintings of ancient China shine a light on the breadth of traditional Chinese culture and philosophy. From the Song to the Qing dynasties, this genre of painting was a favorite subject of classical Chinese artists and shows the value of appreciating and being in harmony with nature.
Bird painting can be traced back to the Shang (1600–1046 B.C.) and Zhou (1046–256 B.C.) dynasties, when abstract images of birds were engraved on bronze pottery. It was during the Wei Kingdom (A.D. 220–265), though, that artists began to specialize in bird-and-flower painting to form a new genre.
Mike Cai
Mike Cai
Author
Mike Cai is a graduate of the New York Fei Tian Academy of the Arts and the University of California–Berkeley.
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